Sounds Of Thunder

Delving into the NYC music scene

Tuesday, December 27, 2005

BtS in NYC?

Word on the grapevine is that Built to Spill will be touring sometime around late March through April. Perhaps even touring supporting the release of their new album, which was pushed back from this past September. There are apparently a couple of shows listed by Ticketmaster in Chicago for mid-April. I honestly can't wait for some info about a possible NYC date (I really doubt they'd skip over New York, but who knows?).

Until there are more updates.

The Back Issues: Doug Martsch and Co., Making Progress

Built To Spill
The Metro

Monday, December 26, 2005

EEEEEEEEE!!!

Straight from the Matador Records website:
Belle & Sebastian / New Pornographers - We'd better rent a big bus.
While venues and dates are still being confirmed, we can announce that Belle & Sebastian and The New Pornographers will be touring together in early '06 throughout North America, the former in support of the forthcoming 'The Life Pursuit', the latter behind the consensus pick for the album of 2006, 'Twin Cinema'.
This may be the greatest news of '05. We will update as soon as the dates emerge.

Belle And Sebastian

The New Pornographers

Matador Records: News

Saturday, December 24, 2005

It's That Time Of Year


Have I got a treat for you. As a Jew, I know how hard it is to find good Chanukkah music, but here it is: the cream of the holiday music crop. The Leevees is a mixture of Adam Gardner(Vocals, Guitar) of Guster, Dave Schneider(Vocals, Guitar) from The Zambonis, Michael Azerrad(Drums) of The King Of France, Shawn Fogel(Bass) - independent from the ties of any band, and Shank Bone Mystic(Keyboards) hailing from The Shank Bone Mystic Project. Their first and only(hopefully only for now) album "Hanukkah Rocks" is a masterpiece. It has good music, good lyrics, and it's about one of the best holidays of the year. Now, yes, I admit, it is a gimmick band, but it has the unmistakeble sound of Guster, and who doesn't like that? The harmonies are lucious, and the lead vocals superb. But not only is it pleasant on the ears, it's also pleasant on the mind. Most of the lyrics will only seem witty to the Jews in the audience at first, but if you give them some thought, I'm sure that anyone can understand where they're coming from. Not only are the lyrics funny, but they dare to ask the questions that we are all too afraid to bring up such as: "Applesause vs. Sourcream" and "How Do You Spell Channukkahh?" All in all, I'd say it's a must listen for the holidays, especially if you're of the Jewish persuasion.

Applesause vs. Sourcream

How Do You Spell Channukkahh?


Guster
The Zambonis
The King Of France
Shawn Fogel
Shank Bone Mystic Project

The LeeVees

Thursday, December 22, 2005

Take The 'A' Train

I think that we have started to forget that we do listen to bands other than We Are Scientists. We shouldn't.

Those kind, generous, and educated virtuosos that make up The Harlem Shakes have promised new recordings in early 2006. And boy, am I excited. They're taking some time off of live shows to hone their craft, and I'm sure make every bass riff magnificent, every catchy hook golden, every lyric... well... unintelligible.

If you're new to this whole thing, as our audience has widened somewhat after the whole We Are Scientists Letterman thing (hopefully some of you will be so kind as to continue frequenting this site), here's some of the New Demo (soon to be the sophomore demo, I guess) from the Harlem Shakes.

New Demo (.zip)

01 A Night
02 Josh Studies
03 Sickos
04 Eighteen

See more here:

The Harlem Shakes

Wednesday, December 21, 2005

MySpace SchmySpace

Alright, this post is going to have to use a brief preface. I have never used MySpace. I never plan on using MySpace. I don't see where the infatuation of a few of my friends for this site comes from. I don't understand it. I must be out of the loop. However, I am aware of the music section, and it is nice to be able to hear samples of bands. But its is nearly impossible to hear about good music off of MySpace, only using MySpace. There's just too much shit to wade through to find those, well... whole peanuts I guess.

But now they've gone and done this. Made their own record label, and let me tell you, their first release looks quality. I mean, Jesus Christ, it's got Fall Out Boy on it. What more could you want?

I guess this thing would work a bit better in theory, and I know that at least my musical tastes aren't reflected in any of the bands on the album, but it's really not all about the kind of music the featured bands play. It's also the audience. In my head, at least, MySpace takes normal, God-fearing teens, and churns out these private messaging pretentious little abominations, who are incapable of writing in complete sentences, or coming across as vaguely intelligible for that matter. Let me tell you, I just hope for my own satisfaction that the liner notes of this thing goes something like

"OMG! Were putting out a record ROFLMAO!!1 Have u seen the guys in AAR!? There sooooooooooo hawt. lol"

At least the architects of this monstrosity figured out their target demographic. I hardly think I can blame them for not being business savvy.

Even if there were a lot of half-decent to excellent bands on this compilation, I would be hard pressed to purchase it. I don't know if I could live with myself after buying a record put out by a online social networking service, whose mere existence I loathe. It's just a sampler, so this whole thing really doesn't make any sense whatsoever. One of the major draws for people towards the music section of the site is so that the bands' material can be sampled. If you like what you hear, you can contact the band and purchase an album. Or did I miss something along the line? Instead, MySpace has made a sampler of music it deems the best and most popular, added a few big names, and hopes to sell it. So who would be stupid enough to buy this thing, if you could sample the bands on MySpace and purchase albums from those you like? To which I hope the answer is stupid MySpace people.

PS - Weezer... why? Why did you make "We Are All On Drugs," and why are you on this compilation. I try to like you. Blue and Pinkerton were great. I try to like the new stuff, I really do. The songs that aren't played on TV aren't really that bad. But why?...

Certainly

Kyle, master of all things We Are Scientists, has discovered an actual video for "It's A Hit" hidden in the archives of Stereogum. I can only imagine why no one has discovered it before, but here it is in all it's glory:

Download it here.

P.S. Sorry about the asf format; I had to rip it from a stream, and I can't figure out how to convert asf to anything else.

Stereogum
We Are Scientists

Tuesday, December 20, 2005

WAS on Letterman

It actually happened! I was skeptical about the setup that I had to record this, but it worked flawlessly, and now you, the reader, can reap the benfits. Please, enjoy this to the fullest. Think of it as my holiday present to you.

I had to take the video down, but feel free to email me to request it.

Sunday, December 18, 2005

New Things

The Velvet Teen, after having neglected their old site, have created a new one. I must say... I'm a lot more confused than excited after seeing it. It consists of just a floating chimy thing, and doesn't seem to do much besides just make noise. Am I missing something? Somebody please clue me in. The only thing that I got to do anything of interest is the red dot in the top corner to get to the Slowdance Website.

Anyway, while they're the topic of discussion, you (Brian) should check them out. I'm fairly familiar with their two old albums. They did, however, release a fairly hard to find album entitled Elysium last year. I was able to see them during CMJ week at the Knitting Factory (to a pretty empty Tap Bar), the highlight/terrible happening being a drunk guy urinating through his pants onto the stage, on which his foot was. This successfully shorted out all of Judah Nagler's effects pedals, which he apparently needed for most of the older songs. The newer songs are pretty good, but different than the earlier ones, not incorporating guitar into them as much. Anyway, they're worth a shot. Plus, Judah Nagler is nothing short of a dream boat. If memory serves me correctly, he was featured in Cosmo Grrl, or some other such trash, as a "sexy musician."

Here's their video for an older song, "Radiapathy", off of Out of the Fierce Parade.

The Velvet Teen

Slowdance Records

Friday, December 16, 2005

Christmas Spirit

It seems as though everyone nowadays is making Christmas songs. Math and Physics Club, the immortal Sufjan Christmas collection, The Walkmen, Bright Eyes, you name it, they have some jolly yuletide songs in their repertoire. Well, chalk another one up, for Quasi has a new song, entitled "Merry X-Mas." But this one's no joke; it's destined for the album. So think White Christmases all year round. Leave it to Quasi to even try to make Christmas depressing.

Merry X-Mas everyone.

And check out the album cover. It's pretty cool. See it in stores March 21st.


While you're at it, give Quasi's Featuring 'Birds'. It's got to be one of my favorite albums of all time. Just wonderful.

And, of course, if you happen to live on the West Coast, and can get up to Portland or Seattle, Quasi will be opening for the man, the legend, Stephen Malkmus and the Jicks, and Janet Weiss's other band Sleater-Kinney. Perhaps you've heard of them.

Quasi
Stephen Malkmus and the Jicks
Sleater-Kinney
Touch and Go Records

We Are Scientists: Not Yet Ready For Prime Time

So... what else is there to say about this but "Jesus Christ!"? One of our favorite bands, We Are Scientists, will be on Late Night with David Letterman this Monday. Get your Tivo's/VCR's/BetaMax's ready, as I'm sure it will be an event not to miss.


The Man with the Gap-toothed Grin

WAS Tour Page

In other news, as predicted before, Man Man has gone ahead and posted a new song, "Van Helsing Boombox," on good old Pitchfork. It's pretty good, but doesn't beat it live. I can remember that song distinctly from the Northsix show; it's a good one.

Thursday, December 15, 2005

Doug Martsch and Co., Making Progress

So, a "rough mix" of Built to Spill's yet untitled new album, which is expecting a release date sometime in the spring of '06, after being moved back from this past September, has leaked. I couldn't help myself, and am listening to it now, whilst making an attempt at studying. The mix was cleverly peppered with "Who is Mike Jonse!?" throughout, as to make it utterly unlistenable until you realize that it's new Built to Spill material, in which case you soldier on. The ten track mix is pretty amazing, nothing less than I would expect from my indie favorites Built to Spill, beginning with Martsch's hallmark meandering guitar which characterizes the lengthy eight minute opener, to the more catchy guitar pop, as in one of my favorites so far, the untitled sixth track. If this is any indicator of what the album is going to be like, I'll quote one of my good friends in his usual sentiment: "Squeee!"

Tuesday, December 13, 2005

Back From A Show, And I Didn't Leave My Seat

After lots of anticipation and worry that my computer wasn't up to the task of allowing me to watch a webcast (it only barely sufficed; I had to use the 56k option, which is similar to watching paper cut outs of the guys moving in front of a sea of colored pixels), the guys came on stage for their last show in Europe until they head back to the states, and soon back to NYC. Keith had apparently misplaced his passport in the dressing room, ie left it in his back pocket, which delayed them. Chris remarked that they weren't leaving for another two days, which makes me wonder what they'll be doing in Amsterdam all by themselves.

Again, they basically played through With Love And Squalor with a few exceptions. They did a cover of "Be My Baby," dedicating it to their tour managers. Awww... Overall, it was a pretty good set, from what I could see/hear. Of course, it was only a webcast, so I'll leave it at that.

I'll work on getting a recording, if anyone out there is craftier than I am at computers. We'll see what turns up.

Update:

Some of the guys on Nebulize My Mind have gotten the audio and video. 'Twill be up within the week, methinks. Matt Jordan is one of these people, so doubtless it will be on YANP as well, but I'm stickin' to this story goddamnit.

Make Haste!

In less than 1 hour, We Are Scientists will be streamed via the glories of the internet; their Amsterdam show is going to be streamed here. Tune in. Go. Quickly. Before it's too late. It starts at 4 PM EST.

Sounds Of Thunder: Earning Our Right To Be Called Stalkers

So, in our never ending quest to cover every news-worthy piece of information about the Roaring 20's, here's a new one. They have recorded a new song "Tonight, Tonight: I Love You But I've Chosen Darkness", and have posted it on their wonderful website. Give it a good listen. Maybe two listens, perhaps more. Expect to see some more quality productions from them in the near future. That is if Matt is getting a grade on that project he's doing.

In our own defence, we didn't just "happen" to "stumble" upon this wonderful news. Ross got this in his inbox:

"new recording on the site.

-kevin"

So there you have it.

The Roaring 20's

Monday, December 12, 2005

Last Weekend. Part II.

Alright, I know it's been a little over a week, but cut me some slack. I have finals coming up, etc. Plus, it's not like anyone reads this. Soooo... here's the Ted section of the really cool weekend.

After lazing away most of the morning, Ross and I awoke, and went to catch some breakfast with Kevin. We met up with Deke (of "Deke and Alice and Leslie") on the way. We went to this place called Dojo. It was spectacular. They played nothing but ridiculous songs while we were there, i.e. Boston, Kansas, Twisted Sister, etc. They had banana pancakes, but I was foiled again in my quest for oatmeal.

I don't recall doing much all day, besides trying to go thrifting in NYC, which, let me tell you, is a terrible idea unless you have lots of cash. We did, let me remind you, only have until 5:30 until the show started, and we were soon on our way.

When we got there there was the obligatory Will-Call ticket line at Webster Hall, and luckily, our friends Matt and Pat had showed up in time for us to get in with everyone else, as they were also paid for in the same transaction. We got really good spots, especially considering that we had been in the slower moving will-call line. On the way up, Ted had apparently passed me on the steps, but I walk with blinders on, so I saw no one.

This show only had two openers, both fairly disappointing, but left less between me and the Ted (he had played with 5 openers at CBGB's). First was the Black Hollies. You could tell right off the bat that they were really talented, all four members of the band. However, they did nothing more than play retro-sounding songs. Guitar solo's were wailing, and the drummer was superb. I really wish they played more than just the throwback kind of rock; they would have such potential. It was so bad I really couldn't tell if the lead singer was faking a British accent when he spoke or if he was really from England. From what it seems, it's fake; their MySpace claim's the band at least hails from Jersey City. If it is indeed fake, which facts would lead one to believe, that's just pretentious and stupid.

After the Black Hollies left the stage, on came band number two: the Exit. Unfortunately they weren't really my kind of music. They didn't seem that bad, but I wasn't impressed in the least. The guitarist ended up being the main player, and was hamming it up to the photographers all set. I dunno, they just seemed a little nondescript. Not saying that they sound like every other band out there. They really didn't. It's just there was nothing special or redeeming about them in general.

Ted finally came up next, and was his calm, subdued self. I was surprised by the fact that the only new song he played was "Sons of Cain." I had half suspected this show to bring to light some newly written stuff, but nothing new since I saw him at South Street Seaport in August. This, of course, was both a curse and a blessing, but I mean, what Ted song don't I like (other than "Flydocius Invasion"... maybe). He and the Pharmacists again went through another near perfect set. I mean, Dave, the bassist, was sort of moving around this time, but made sure to stay away from his mic of course. Chris was also sporting his beard, which had grown to epic proportions. You could see where the moustache part was really trying to get away from the beard part. It was pretty cool. The crowd got a little rowdy up on the balcony. Some beer was thrown. Otherwise the crowd was pretty good. One highlight was when a girl screamed "Since U Been Gone," and her friend wisely shut her up with a bit too loud "SHHHH... You'll make him angry!" I chimed in with "I'm Looking Through You", to which Ted said they wouldn't get around to... probably ever. Eh, it was worth a shot. After he covered all the bases, and yes... I mean all the bases, he came back solo for the encore, played " The Gold Finch And The Red Oak Tree", a cover or two ("Dirty Old Town" I think) and a Chisel song. The Pharmacists came back in to join him for "Loyal to My Sorrowful Country" and "Stove by a Whale", and then quickly departed for one last Ted Leo solo cover.

After the show, Ross and I went to the Knitting Factory in an effort to squeeze in the Five Maserati's show, but were too late. I got my Islands tickets, and we went uptown to Harlem. The "An Albatross" party was pretty good, albeit subdued because of angry neighbors. Then, after listening to seeming spontaneous musical outbursts from Willy Gantrim, Feral Foster, and Zachary Robert, and seeing lots of drunk people, we were off to golden slumbers, and would have to venture home the next day in the first real snow of the season.

Pictures

Ted Leo
The Black Hollies
The Exit
The Five Maseratis

PS - So the Decemberists are on Capital now. Daaammnn...

Sunday, December 11, 2005

Beck Covers Elliott w/ an Edit


As per Brian's request on the Forum, you know... the Forum that you should all check out and write on, I was able to dig up those Beck covers from the Henry Fonda Theater. Unfortunately, I could not find any of the other bands' contributions, like Rilo Kiley's renditions of "I Didn't Understand" and "The Biggest Lie". I'll let Ross do some leg work for that. Usually he's a crafty little bugger when it comes to that area.

So... Beck:

Ballad Of Big Nothing
Alameda
Clementine

Elliott:

For No One

I'm sort of disappointed by "Ballad of Big Nothing." It almost seems as though Beck forgot the words and finished it early to save himself. Eh... no one's perfect, but it's disappointing nonetheless.

Edit:

There's been an undiscovered Basement Era Elliott Smith song circulating around today.
Here he is.


Stickman

Imacculate Four Minutes

Bubba, aka Zach, finally went about and did it. He finally posted on the WAS board the video of WAS and Bishop Allen playing "Bomb Inside the Bomb"... together! It's amazing. And the first minute of sheer anticipation only adds to the glory of what is the coalescing of two of my favorite bands, along with the fact that Jack Delimatraux plays cowbell. Oh, the things that Dayton, Ohio will make bands do. Hopefully at some time he'll release the rest of the bootleg. I'm guessing he probably has Bishop Allen's set as well.

Tuesday, November 9, 2004
Elbo's in Dayton, Ohio

01 Cash Cow
02 The Great Escape
03 This Scene Is Dead
04 InAction
05 Riffmaster B
06 Can't Lose
07 Callbacks
08 History Repeats f/Christian Owens
09 Bomb Inside The Bomb f/Bishop Allen

10 Nobody Move, Nobody Get Hurt f/Bishop Allen

This addition only leaves me wanting more. Especially NMNGH.

Also in Mp3:

Bomb Inside The Bomb

Where could C.O. be during "Bomb Inside the Bomb" if she played "History Repeats"?

Early Christmas
Original really frustrating thread

Saturday, December 10, 2005

Sounds of Thunder Capturing Natives, Enslaving

In Sounds of Thunder's effort of taking the internet by storm, we have created a forum. Expansion has it's perks, like letting us concentrate on trivial conversations with people we probably know, but don't feel like talking to over AIM, instead of doing work. So, check it out if you dare. Registration is a little confusing, and there are ads all over the place, but who wants to pay for shit like this? You become a full fledged minion once you post. Cheers.

Sounds of Thunder II: The Forum

Last Weekend. Part I.

Alright. Before I go and get some food and start on my German final project, let's get some things out of the way.

As I had mentioned before, Ross and I went to go see Rogue Wave last Friday. I have wanted to see Rogue Wave since last year. I got posters sent to me from them (I'm on the street team), promoting their last gig at Bowery opening for Helio Sequence. Damn I wish I could have gone to that show. But time heals all wounds, or is supposed to, and I finally got my chance to see them.

I had come into the city fairly early, as my classes ended at 1:20, and got there by about 3 or so. We had about 5 hours to kill. Larks were had, and I bought Quadrophenia on vinyl in Brooklyn. <3. We also went to the Van Gogh exhibit at the Met. Anyway, back to the point, we got to Bowery to find that we had, in fact, ordered tickets in advance. We were able to get spots right up at front, to wait for the sheer awesomeness to come. But first, the opening acts, none of whom I had heard of before: The first one up was Shelby, and let me tell you, I was not all that impressed. The band consisted of three gents, in the traditional lineup, guitarist/singer (although he did do a little keyboards for one or two songs), bassist, and drummer. The last of this list was the most redeeming of the entire band. He could really play the set. I'm telling you, amazing. The bassist had a bad habit of playing the same note for an inordinate amount of time, and to the same rythym, which made me sad. What did it more was he had a penchant for standing in the "power stance", looking down at his bass, and then every so often, looking up at the audience with a grimace. Errgh... The guitarist also kept it fairly simple, repeating things way too many times, and the few times a solo came around, they were 5 notes, tops, and very simple and repetitive. The music turned out, on the whole, to be fairly sappy. So, Kyle was not impressed.

Next was Mazarin. What to say about Mazarin? Unfortunately, I don't think I can say much, as the levels were really messy, and it was ridiculously difficult to hear anything, even standing right up at front. For the last 3 songs I couldn't hear vocals at all. They did seem like they could be good, not especially good, but adequetely good. But who knows?

Finally, Rogue Wave came out. The stage was completely reset for them. Their amps were decked out with that net Christmas lighting, and all the amps had a colored light underneath. So, they started with "Bird on a Wire", which was really good. They also played a fair amount of songs off of Out of the Shadow; the first two songs were both first tracks on albums. Let me go right into saying that these guys are extremely talented. They switched places often and almost always to different places. It was fairly ridiculous. They were all not only decent at all the instruments they played, but, if I do say so myself, pretty freakin' good. I sure as hell was impressed. After playing a spectacular set, Zach Rogue came back before the others for the encore. He played "Postage Stamp World" solo. I had been hoping for that song, and they weren't supposed to have played it, as it wasn't on the set list, which also had the encore songs. Ross and I both snagged one at the end, so we have mementos.

After the show, Ross and I headed over to the Fey's apartment to sleep. There was some reading of Gravity's Rainbow before we hit the hay, which was... interesting. And the rest is for me to write another day. Perhaps tomorrow if I get all my work done today.

Pictures

Rogue Wave
Mazarin
Shelby

Oh, and the Rogue Wave merch was really good. American Apparel shirts (I'm so happy they're being adopted by more and more bands. Shirts that fit, what a joy), and a free poster with the shirt. They also had a tour EP/Single, which I may have gotten if I had more cash. There were also buttons and stickers a-go-go.

Thursday, December 08, 2005

Damn...

I'm really sorry for inundating our audience of about maybe 5 with all of these posts. I realize I've posted more in the last 2 hours than I have in the last 2 weeks, but this really deserves a post. First, I hope all are aware of the We Are Scientists show at Bowery Ballroom on January 12th. It will be their first show after their record is released in the US. Not only that, but Bishop Allen was just added to the bill. So go. You have no excuse to miss it.

As I said, I was in the city on Tuesday for Islands. I had gotten in really early, and no one was around. So I basically mulled about in Virgin Mega Store in Union Square for a good three hours. In the import section, what did I find but We Are Scientists' With Love and Squalor. Not only did they have two of them, but they were on the wall so all could get a good sampling of the boys. I really can't believe how big they're getting.

Stereogum also has them first in the Listening Lately section. Absolutely ridiculous.

Buy, buy, buy!


See you on the 12th. Or if I know you from high school, i.e. 90% if not all of the people who read this. I'll see you over winter break. Later Brian.

Speaking of Unicorns

It seems that the Secret Unicorns Forum has been hacked. It's a mess in the Music area. This happened a few days ago to the Bishop Allen forum, where one was just diverted to a page where it stated that whatever computer geek had succeeded in making a good forum his bitch. When will people learn and get a good hobby, like petting kittens, or jigsaw puzzles? Kids these days...

Wednesday, December 07, 2005

Manhattan Islands

Preface: I really can't believe I had to sell an extra ticket to this show. What's wrong with you people? For Christ's sake, it's Nick and J'aime.

So... as you can tell, I attended the Islands show at the Knitting Factory last night, and boy, what a pleasure it was. After buying the tickets, I had been a little wary, expecting the boys from the Unicorns to break my heart by adding the whole rap element into their music. This was at least what I had gathered after listening to the bootlegs from Pop Montreal and the Bell Center. Anyway, let's give this thing some order, and start from the top.

Opener: The Isles. Yes. I know what you're thinking. We all did. The kid who almost got kicked out after bringing booze into the show actually asked them. I witnessed this. No... they have nothing to do with Islands, other than the fact that their name sakes are both landmasses surrounded completely by water. That's about the end of the similarity. Honest to goodness. So going on about 9 o'clock, the aforementioned took the stage. On the whole, they were adequete, decent, etc., etc., but pretty vanilla if I had to quantify them. They played some good pop rock songs, trying their best to switch up their styles, playing a slow song, and taking a stab at a psychadelic song. (At the conclusion of which, the guitarist said "I don't know if that one's too psychadelic. It sounds pretty poppy to me". I think that about sums them up.) They did have a good time up on stage, even though they knew no one came for them. They even
told jokes between sets. One reason for this was the prodding from the audience, the other is that they tuned between each song because every song was capoed. But here's a sampling; it got the inner geek in me chuckling: "A neutron walks into a bar... He asks the bartender for a cold, frosty brew. The bartender gets the neutron his cold, frosty brew. The neutron says, "Thank you, but what do I owe you for this cold, frosty brew?" To which the bartender replied, "For you, no charge."

After a long set change time with lots of people moving things about, it was finally time for Islands. First, a man clad all in white, whom we would later learn goes by the name of Patrick, started playing short bursts of dischord out of his bass clarinet. And yes, I did just say bass clarinet. The dischord ushered in Nick, J'aime, and 4 other members of the band, including two asian violinists/recorder player. They were all decked out in white. All of the songs that were played, of course, are all new, as in they have yet to be recorded (outside of the second encore, which I'll get around to in a bit). The new stuff is great though, and like I said before, it seems as though they've abandoned the rap thing, which is utterly delightful. It would be agonizing to see something that could be so good turn bad, but luckily it looks like a crisis has been averted by the sheer will of the gods. The highlight of the regular set was "Ruff Gem." The song had originally been a Unicorns song that was played at their last show in Houston, before it had a title. I'm happy to see that it, at least, didn't die with the Unicorns, as it's a wonderful song. Syncopated clapping was added, and the whole audience was really into it. Even one of the "Chow Brothers", i.e. the violinists, was dancing about in his own awkward way. There were a rift or two during the set, like when Nick had trouble switching to his electric acoustic guitar. But all was saved when the Chows played a "Turkey in the Straws" duet after a drunken scream from the audience demanded a violin solo. By the end of the set, all seemed normal. Islands came back for an encore and played a rendition of Paul Simon's "Graceland". And then they left. However, the house lights did not go on, nor did the house music. We were truly in for a treat of epic proportions. After a few minutes wait, just Nick and J'aime reentered onto the stage. Nick practically apologized before playing, saying "This wasn't my idea, the other guys said we should do this," and that they hadn't played this song since they recorded it.

So now you've probably narrowed the song down to two. If you're good enough that is.

That's right, they played my favorite recorded Islands song, "Abominable Snow," with no perceptible errors even. It was a fairly ridiculous way to end the night, and I was more than pleased that I spent the 26 odd dollars on the night out into the city. I mean, who needs to study for physics anyway?

So... If you missed the boat a few months ago, here are the two recorded Islands songs:

Abominable Snow
Flesh

Sorry for not having any pictures. I don't have a camera, and Ross didn't go to this one, so I got nothing.

Look forward to seeing reviews of the other two shows we went to this past weekend. Rogue Wave at Bowery and Ted Leo/Rx at Webster Hall. I figured I'd write about this one first because it's still fresh in my mind, and I don't have anyone to corroborate the story with if I forget anything.

Islands MySpace
The Isles
And all you ever needed to know at Islands Wikipedia entry, including info on their upcoming debut album. I shit you not.

By the way, there were apparently two prepubescent girls who got their father drive them there. They thought that Islands was some sort of cover and that it was really a secret Fall Out Boy concert. That definitely made me laugh.

Tuesday, December 06, 2005

Yeah Brian, you suck!

You want a post... you want a post do you? Well... here.


Mates of State, a band with so much love, it almost makes you sick, has signed to a new record label. Barsuk, a record label I hadn't ever heard of, has acquired the indie pop duo and plan to release their new album, Bring It Back next March. I don't know about you, but I'm excited. By the way, Barsuk seems to be an up and coming label with Death Cab for Cutie, John Vanderslice, and Nada Surf already signed on.

Barsuk
Mates of State

F*** You Brian...

In response to Brian's query as to posting: Yeah. We've been a little slack lately. I guess I'm defacto man in charge of writing all concert reviews, as Ross doesn't like doing them, but I've had some things going on lately, and unfortunately have been neglecting this blog. However, I just got back from a triumphant weekend of indie rock, and these events will be spoken about, I'm sure at length, hopefully by the end of the week. I'm seeing Islands tonight, and don't quite have time to write about this past weekend now as I have my last lab due today as well. Let this be enough to hold you over until real reviews come up. I still have to do well in my classes (Rutgers is providing storage space for this thing), and I'm already going to a fair amount of shows. Therefore, I generally have to pick between writing here, doing homework,... or playing Earthbound. Yeah, yeah. But good things are to come. I promise.

Thursday, December 01, 2005

Pictures

So, it looks like a review for the last Roaring 20's show will never appear. It was awesome, but I'm no good at writing full show reviews. I am good at taking pictures though, and I've got a couple from the show for you, so check them out!

Pictures


P.S. Kevin Fey made those delicious sandwiches.